This essay introduces the solo physical training practice of Massimiliano Balduzzi by analyzing six newly created video documents. It has three main purposes: First, to give verbal articulation to some aspects of Balduzzi’s practice, as he begins to teach more widely in New York City and beyond. Second, to test and develop a theoretical framework that conceives of embodied technique as a field of knowledge. Third, to explore the epistemological status of multimedia documentation through a focused case study. Each of these may help to expand and clarify current discussions of actor and performer training, movement analysis and documentation, and practice-as-research.
Keywords: actor training, physical culture, practice as research, solo performance, Jerzy Grotowski, Eugenio Barba
Reference: Theatre, Dance and Performance Training, 5:3, 270-290.
Photo by Txuca.
[…] Stanislavsky. An additional reference point was Massimiliano Balduzzi’s rich pedagogy of exercise-actions. However “song-action” always felt a bit clumsy to me and in some ways too […]
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[…] doing since 2015. Song-actions are adapted from Massimiliano Balduzzi’s approach to ‘exercise-actions‘. They are repeatable actions that combine elements of vocal and physical precision with […]