JUDAICA: AN EMBODIED LABORATORY FOR SONG-ACTION

This bibliography is a work in progress. It helps contextualize the project through an indicative list of resources and is not intended to be comprehensive. Suggestions are welcome!

Embodied Research & Laboratory Theatre

Allain, Paul, ed. (2009) Grotowski's Empty Room. New York: Seagull Books.

Allegue, Ludivine, Simon Jones, Baz Kershaw, and Angela Piccini, eds. (2009) Practice-as-Research in Performance and Screen. New York: Palgrave Macmillan.

Freeman, John (2010) Blood, Sweat & Theory: Research through Practice in Performance. Oxfordshire, UK: Libri Publishing.

Nascimento, Claudia Tatinge (2009) Crossing Cultural Borders Through the Actor's Work: Foreign Bodies of Knowledge. New York: Routledge.

Nelson, Robin (2013) Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. New York: Palgrave.

Pitches, Jonathan (2006) Science and the Stanislavsky Tradition of Acting. New York: Routledge.

Richards, Thomas (2008) Heart of Practice. New York: Routledge.

Riley, Shannon Rose, and Lynette Hunter, eds. (2009) Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan.

Schatzki, Theodore R., Karin Knorr Cetina, and Eike von Savigny, eds. (2001) The Practice Turn in Contemporary Theory. New York: Routledge.

Schechner, Richard and Lisa Wolford, eds. (1997) The Grotowski Sourcebook. New York: Routledge.

Schino, Mirella (2009) Alchemists of the Stage: Theatre Laboratories in Europe. New York: Icarus Publishing Enterprise and Routledge.

Schwab, Michael, ed. (2013) Experimental Systems: Future Knowledge in Artistic Research. Leuven University Press.

Spatz, Ben (2016) "Singing Research: Judaica 1 at the British Library." Journal of Interdisciplinary Voice Studies 1.2: 161-172.

Spatz, Ben (2015) What a Body Can Do: Technique as Knowledge, Practice as Research. London and New York: Routledge.

Spatz, Ben (2014) "Stanislavsky's Threshold: Tracking a Historical Paradigm Shift in Acting." Journal of Dramatic Theory and Criticism 29.1: 81-95.

Spatz, Ben (2014) "Massimiliano Balduzzi: Research in Physical Training for Performers." Theatre, Dance and Performance Training 5.3: 270-290.

Spatz, Ben (2013) "Citing Musicality: Performance Knowledge in the Gardzienice Archive." Studies in Musical Theatre 7.2: 221-35.

Wolford, Lisa (1996) Grotowski's Objective Drama Research. Jackson: University Press of Mississippi.

Zarrilli, Phillip B. (2009) Psychophysical Acting: An Intercultural Approach after Stanislavski. New York: Routledge.

(Jewish) Cultural Heritage

Biale, David, ed. (2002) Cultures of the Jews: A New History. New York: Schocken Books.

Bithell, Caroline (2014) A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song. Oxford University Press.

Boyarin, Jonathan and Daniel Boyarin (2002) Powers Of Diaspora: Two Essays On The Relevance Of Jewish Culture. Minneapolis: University of Minnesota Press.

Boyarin, Daniel, Daniel Itzkovitz, and Ann Pellegrini (2003) Queer Theory and the Jewish Question. New York: Columbia University Press.

Buber, Martin (2002) [1955] The Legend of the Baal-Shem. New York and London: Routledge.

Butler, Judith (2013) Parting Ways: Jewishness and the Critique of Zionism. New York: Columbia University Press.

Chakrabarty, Dipesh (2000) Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton University Press.

Eilberg-Schwartz, Howard, ed. (1992) People of the Body: Jews and Judaism from an Embodied Perspective. New York: SUNY Press.

Friedmann, Jonathan L. (2012) Synagogue Song: An Introduction to Concepts, Theories and Customs. Jefferson and London: McFarland & Company.

Goehr, Lydia (1992) The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon Press.

Kirshenblatt-Gimblett, Barbara (2005) "The Corporeal Turn." The Jewish Quarterly Review 95.3: 447-461.

Kirshenblatt-Gimblett, Barbara and Jonathan Karp, eds. (2008) The Art of Being Jewish in Modern Times. Philadelphia: University of Pennsylvania Press.

Levine-Rasky, Cynthia (2013) Whiteness Fractured. Surrey: Ashgate.

Muñoz, José Esteban (1999) Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press.

Presner, Todd Samuel (2007) Muscular Judaism: The Jewish Body and the Politics of Regeneration. New York and London: Routledge.

Sandis, Constantine, ed. (2014) Cultural Heritage Ethics: Between Theory and Practice. Cambridge: Open Book Publishers.

Satlow, Michael (2006) Creating Judaism: History, Tradition, Practice. New York: Columbia University Press.

Sicher, Efraim, ed. (2015) Race, Color, Identity: Rethinking Discourses about "Jews" in the Twenty-First Century. Oxford and Brooklyn: Berghahn Books.

Solis, Ted, ed. (2004) Performing Ethnomusicology: Teaching and Representation in World Music Ensembles. Berkeley: University of California Press.

Slabodsky, Santiago (2014) Decolonial Judaism: Triumphal Failures of Barbaric Thinking. New York: Palgrave Macmillan.

Summit, Jeffrey A. (2000) The Lord's Song In A Strange Land: Music and Identity in Contemporary Jewish Worship. New York: Oxford University Press.

Taylor, Diana (2008) "Performance and Intangible Cultural Heritage." The Cambridge Companion to Performance Studies. Cambridge University Press.

Taylor, Diana (2003) The Archive and the Repertoire. Durham, NC: Duke University Press.

Weisenberg, Joey (2011) Building Singing Communities: A Practical Guide to Unlocking the Power of Music in Jewish Prayer. New York: Mechon Hadar.

Wolfe, Patrick (2015) Traces of History: Elementary Structures of Race. Verso Books.