Nathan Oliveira - "London Site 6"

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- VERMILION's TEXT -


[Communique: 09.30.02]

Listening to Comfortably Numb brought me back to last spring, and a feeling of indescribable sadness. It's all mixed up, as memory always is: graduation, loneliness, wild kissing, hospitals, death, old wrinkled hands, anarchists, gardens in the lower east side... At the time I thought I was being shallow, skirting the issues, floating on the surface. But now I can see that it was not a shallow time at all. I was in a whirlwind of love and culture. Every day another encounter -- personal or literary -- caught my mind on fire. The V-Texts from that time are not mere journal entries like the most recent ones have been. They read like strange missives from a more inspired self. "Do this! Make this! Never forget this!" they cry. Well, now is the time to put those visions to the test, try them like iron in fire and discover whether they melt or forge.

What do I do with all these letters
That I wrote to myself
But cannot address?

- Ani

Rehearsal for Photograph was fascinating. The way Trevor directs, the way he cares about depth, people, and honesty... The way he deals with shy, defensive actors, the way he understands their reluctance to be both personal and significant... All of this reminds me of Pedro. He carries the same beautiful lack of egocentrism too. When I had coffee with Peter Sellars last month, he also reminded me of Pedro. What is it about these beautiful, egoless, deeply concerned men? And why are none of them straight?

I like my new place. My room is very flat -- no desk, no chair, no table. For the first time ever, the entire area of my carpet is open. Yesterday I went into my body there, in that empty space, under this low ceiling, between the strange mural of the ocean and my newly connected MIDI keyboard. My body. I had been too long away. It hurt and it felt good -- as bodies do.

Oh, and did I mention the cats?


[Communique: 09.29.02]

I've never had a neighborhood before! And what a neat little neighborhood it is. A mix of old industrial buildings converted into lofts for artsy young white folks and houses filled with latino families. The library and a school are a few blocks away. Past them, housing projects. Over on Flushing Avenue I found a hip new cafe, harbinger of things to come, surrounded by tiny grocerias stocking canned Goya goods. On the way home I passed a multi-use theater space and an store selling home-made Japanese art clothing, notebooks, and organic tea. Someone on the first floor of my building was blasting the Lola Rennt soundtrack as I came in.

It's nice to be here.

My grandmother is dying. Maybe this month. Strange times. She is ready and unafraid. Last night she got high on Percoset. It's up to her how awake she wants to be from now on. If she doesn't start taking drugs, it's going to get really awful as the tumor expands in her throat causing swelling, coughing, and eventually preventing her from breathing. It may be easier to just fade away, unconscious...

Everything is changing right now. Nothing will be the same.


[Communique: 09.26.02]

I'm moving to Brooklyn today and may not post for a while. In the meantime, look at this!


[Communique: 09.23.02]

I can't stop thinking about Jill Bioskop and Spider Jerusalem, from the graphic novels "The Nikopol Trilogy" and "Transmetropolitan" respectively. They are both reporters, and both live in postmodern dystopian futures. Beyond that they have little in common. Her hair and skin pigmentation is blue. His shades are schizophrenically mismatched. Somehow I think that the two of them are important. I'll try to say more on this later, or perhaps someone else can help me figure out what the connection is, and what the significance is...

Jill Bioskop Spider Jerusalem


[Communique: 09.23.02]

Finally, at long last, there is a new walkabout.


[Communique: 09.22.02]

Um... Could there be anything hotter in the whole entire world than William Upski Wimsatt mentioning Ani Difranco in the first sentence of an article? And that's just the first sentence -- it only gets better from there.

Could everybody please read this right now. Everybody. Right now. Go.


[Communique: 09.21.02]

Wow. I am totally, utterly blond.


[Communique: 09.21.02]

Every cancer is a homicide
Every boss better run and hide
Every human is some kin to Black
Every Visa got a pin to crack

Every verse is from the cardiac
Every search is involuntary
Every inmate want commisary
Every bank note is promissory

Every broke motherfucker finna form a gang
and when we come we takin everything.

- The Coup, "Everythang"

1. There is bleach in my hair.

2. This site has reached 1000 hits.

3. I was looking at the latest issue of "Free Inquiry" put out by the Council for Secular Humanism. The frontispiece is a "Statement of Principles" -- 21 affirmations of secular humanism. They are not my principles. I agree with many of them, but they don't represent the spirit of my life. Some of them I actually disagree with. Therefore I must now say that although I am a humanist, I am not a secular one. I suppose you might call what I believe mystical humanism. I am a humanist because I believe in the centrality of lived experience and subjectivity, and in the ultimate beauty of life (which I take to include both animals and ecosystems to varying degrees). But I am not secular in that I do not believe in the centrality of rational thought or the scientific method. Indeed, I think that rationalism, like religion or capitalism, can be both good and bad for humanity -- good when it serves human life, bad when the "truth" is given divine status to the detriment of lived experience. I don't wish to deify rational truth any more than God or Capital. If I had to pick a "method" or "mode" in which my humanism functions, it would be mysticism: a deeply sensual and sensory understanding of the world in which the significance of an event or object is always being deciphered and is never fully determined. In this way, reconstructive postmodernism is a form of mysticism, poised as it is on the edge between deconstruction (atheism, nihilism) and tradition (faith, religion). The reconstructive postmodernist, or mystic, believes in all kinds of supernatural and metaphysical meanings that transcend pure materialism, but refuses to allow these meanings to be shaped into an overarching system or meta-narrative. The world is composed, finally, of both particles and souls, and many other things too. The world is determined neither by entropy nor by divine will. The world is beautiful.


[Communique: 09.21.02]

I went to a fantastic underground hiphop concert last night, the grand opening of the Active Arts Youth Conference. It was awesome. Mahina Movement was there, who I saw this summer at the Bowery Poets Cafe. They have a wide range, sometimes falling into too much earnestness, but Gaby is an amazing songwriter. Jahi was also there, and a most fucking incredible Palestinian poet named Suheir Hammad, whose poem about the WTC attacks is one of the only genuinely complex and significant responses to that event that I know -- a kind of sister to Ani's related but different poem. The boogie-down Bronx was represented by La Bruja, who I saw on NYC cable access TV last June when she was in Danny Hoch's Hip-Hop Theater Festival. She is cute and clever and has a great piece in which every line is three words with the initials W.T.C. -- but she also totally plays into the skinny hot femme girl in a way that annoys me. In most contexts that wouldn't be so noticeable, but last night she happened to come on right after the indisputable queen of the show, one of the most extraordinary performers I have ever seen...

Medusa. She was so fucking awesome it was unbelievable. I had seen her featured in a documentary once, but had not realized the extent of her genius. It would have been enough (dayenu!) if she had only dominated the theater and spat the unquestionably phattest and souliest songs of the night. But she also came on wearing big greyish spattered overalls and a cowboy hat. On someone else, one might have thought: "That's not very hip-hop." With her it was the other way around: She was producing culture, she was creating hiphop while we watched. She was queer in the most fantastic way, a way that had nothing to do with exiting hip-hop to find queerness. Instead she showed us all the queerness that had always been there all along. In any case, by the time Dead Prez took their place onstage, it was a bit anticlimactic. They were the most polished and professional of course, but their politics were not at all the most interesting or inspirational, at least to me. There's not much complexity, queer or otherwise, in their old-school African nationalism, and I'm not so into their straight macho manhoods in any case. I guess if they're really rousing the rabble then that's good enough, but it's Medusa I would want to see in concert again.

It was a great show. There was much female representation ("estroflow"), trans-cultural community spirit, and activist potential. Lots of people of all colors, lots of hippie-hop-hedz and punk hybrids, lots of peeps from CRLS. And of course, the beats were phatty. On the other hand, there was some oversimplified politics that I couldn't always go along with. I'm all there for "fuck George Bush" and "fuck the army," but fuck the police is not in the same category for me. It's just more complicated. Similarly, the Palestinian politics were a little bit worrisome at certain moments. Benny pointed out to me afterwards that when careless Palestinian politics allows old-style anti-Seminitism to creep into its rhetoric, that is one of the most tragic and ancient archetypes of all: the righteous revolution becoming tainted in the desperate pursuit of its goals... There was also a bit of condescension from activists onstage. Same old stuff: "It's nice to have music, but some of us are out there doing real work..." That always bugs me, although of course they are partly right.

In the end, hip-hop is just another community which I love and adore and kind of wish I was fully part of, but am not. Just like I am not quite a queer activist, not quite an anarchist, not quite a raver, not quite a punk, not quite a technophile, not quite a technophobe, not quite a dancer, not quite an avant-garde artiste. At this point I'm not even looking for the perfect community anymore -- I just can't wait to move to the city and get them fires started!


[Communique: 09.18.02]

Gosh, listening to NPR has made me so excited about the upcoming fascist party. Won't want to miss that one, folks. Yup, it's looking more and more like Congress is going to go along with the mad empire-building foreign policy of our leader, Senator Palpatine -- oops, I mean George Bush. But he promises only to use the army for good, not evil, and then to return to peace just as soon as evil has been exterminated. So that's okay.

Quidam has packed up from Boston and gone to Cleveland. Just since Sunday night their nine tents and the associated infrastructure have been taken down, packed up, loaded onto flatbed trucks, and driven to Ohio. Today, while I picked up garbage and learned to use a forklift on the abandoned asphalt parking lot where they had been, they began to set everything up again, 635 miles away. By now they have put up the main tent and started up their massive generator trucks, which will generate more than a millions watts of electricity, about 10% of it for the show, and about half for the HVAC air conditioners.

My mom's birthday party is tomorrow. We have acquired two kinds of red wine for the party. One is called "Bogle" and the other is called "Woop Woop." I find this to be hilarious.

For those of you who are in NYC: Please attend the Discuss & Deploy Conference at ABC No Rio next weekend. I will be in the city but won't be able to go, so it would be nice if someone would go for me and tell me how it was.

No word yet from my secret hero. I am not cool enough for her. Looking back at old camp and elementary school yearbooks, I realize how impressed I was by the cool kids and how desperately I wanted to be one of them. They were quoting Anthony Burgess and Clive Barker when I had never heard of them, they were talking about death and sex before I believed in such things. Maybe I still want to be that cool, but whenever I get there, it's not quite answer enough.

And now I have to go and fold some laundry.


[Communique: 09.15.02]

It is now Yom Kippur. I am not fasting. I am not doing anything about the fact of the holy day. Do not ask me what this means about my Judaism. I don't even have anything interesting to say.

I have just written to my secret hero Mimi Nguyen. It's weird writing to a secret hero. Now I am waiting in fear for her response. Will she notice that my webpage looks suspiciously like hers? Will she discover that I am secretly a dumb white boy? Find out in the next installment of... um... I don't know what.

P.S. What on earth has happened to the Emergency Gazette webpage?!


[Communique: 09.15.02]

My job ushering for Quidam is over. I am unexpectedly sad. I miss the ushers, and the performers. I even miss the job itself. I feel like I was part of the show, even though I really wasn't. And now I feel like the run has ended, even though actually it's just moving to Cleveland to continue its North American tour. How strange. On the other hand I am *so* fucking excited about moving to NYC. Here's what I want to do before 2003:

- do a piece with Tea Alagic
- solo street performance
- stage manage for an Ntozake Shange piece at HERE
- direct a terrorist version of Peter Pan at ABC No Rio
- do lighting design for Bajir's show

- oh, right, uh... and pay my rent.

I am telling you all this because if anyone out there is interested in collaborating on any of these projects, they should let me know. I am looking for artists and warriors for all walks of life. We are here to change the world, no less.

On a side note, when I was searching for a page to link to for Bajir's show, I discovered an extremely well-illustrated webpage created by one Dylan Meconis, who claims to be a COL major. She seems a fascinating person, although her existence may or may not be

...

And speaking of diesel sweeties, once again I have ended up making friends with a circle of hip dykes, and now I have to come out to them as not-gay and hope that they don't think any less of me for it. I haven't been misleading them on purpose or anything, although I have been playing the pronoun game. But really, what's a girl to do? I refuse to call myself straight! I am not straight! So there!

P.S. There is a free Kathy Acker symposium in NYC on November 7th & 8th. See you there. 2 to 3:30pm, Panel Three: "Labyrinths of Gender."


[Communique: 09.11.02]

I felt a strong need to respond to the anniversary of the WTC terrorist attacks today. There is so much media out there and so much of it is terrible, and the stuff that's good is often not very interesting. So I've spent the last twelve hours trying to figure out how to use an incredible sound design program called Reason. The result is a bit amateurish, and it's very clear that Reason was not designed to do the kind of thing I made it do today. It is fucking brilliant at manipulating short samples into melodies and patterns, but it sucks at dealing with longer samples. In any case, I offer you an American Nightmare. (Tragically, this is the only .mp3 encoding I have ever heard where I actually noticed some flaws in the compression.)

In other news, I will not be living with Camille and thirteen other artists in Long Island City in Queens, but rather with Timmy Jones and two other artists in East Williamsburg in Brooklyn. My disappointment about the former is more than outweighed by my excitement owing to the latter. There are some photos of the place here (scroll down).


[Communique: 09.09.02]

I haven't been writing much. At first I thought it was because I was in a shallow place, with nothing to say, but maybe the place is so actually deep that there aren't words for it yet. I'm working without discipline on a bunch of scattered projects, and reading without commitment from a bunch of different books. Today my plan is to go and excavate our basement storage unit, looking for objects that might be useful in a street performance and anything else that I want to take to New York. Moving to New York is the main vector in my life right now. I expect everything to be clearer after that, and more difficult in a way I can really sink my teeth into.

I dreamt about being an unskilled fireman in a set of twin towers where a fire had broken started and we had to get all the people out. I wasn't actually a fireman so much as an usher. In real life, I have been ushering at Cirque du Soleil in Boston. I have also been serving ice cream again at Toscanini's, where I used to work five years ago, in high school. I also discovered the most amazing artist housing in Boston, a fantastic secret world, and a fucking amazing dark surrealistic movie to go with it. I went there, naturally, to attend an event called Shadowbox VIII, which is a creation of none other than the illustrious Amanda Palmer.

Also I have been reading Barrie's Peter Pan, which is both more interested and more charmingly written than any version of the story I have previously known.

Wendy: Now let us pretend we have a baby.

John: (Good-naturedly) I am happy to inform you, Mrs. Darling, that you are now a mother. (Wendy gives way to ecstasy.) You have missed the chief thing; you haven't asked, 'boy or girl?'

Wendy: I am so glad to have one at all, I don't care which it is.

John: (Crushingly) That is just the difference between gentlemen and ladies. Now you tell me.

Wendy: I am happy to acquaint you, Mr. Darling, you are now a father.

John: Boy or girl?

Wendy: (Presenting herself) Girl.

John: Tuts.

Wendy: You horrid.

John: Go on.

This is a little bit different than the version I started writing a few months ago...

Narrator: This is a story. You can follow along in your programs. When you here the tone, you can turn the page, and the story will continue. Let's try that. Beep. Turn the page. Once upon a time, there were three children who lived all together with their parents in a modestly large two-story house in the suburbs of a major city. The eldest child was named Wendy. She was seventeen. She had brown hair and brown eyes. She sometimes wrote poetry, but it was very bad. She was an A student. She was a virgin. Beep. Turn the page. One night, she was visited by a stranger. He appeared to be a young boy. He said that his name was Peter. He said that he was looking for his shadow. She remembered him from her childhood. He had been looking for his shadow for a very long time. He had been coming to her room every night for a very long time, while her brothers slept. He had shown her how to touch herself under the covers until she was sweating and shaking and crying to herself. After that she would go to sleep. Peter came every night. Beep. Turn the page.

Peter: Show you how to fly.

Wendy: What?

Peter: Show you how to fly. Show enough. Want it?

Wendy: They mustn't wake up.

Peter: They can come too.

Wendy: No!

Peter: Everyone can come.

Wendy: They're too young.

Peter: Not too young. Watch.

etc...

Anyway... I may or may not write more here soon... In any case... You horrid.



vermilion's text = journal of a rootless cosmopolitan
all text by bspatz
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