Nathan Oliveira - "London Site 6" |
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- VERMILION's TEXT -
[Communique: 08.21.02]
Today I had the most empty & easy temp job ever, over at Exodus Communications. The agency told me it was in Woburn when actually it was in Waltham, but who cares when you're not doing anything anyway. A few packages were shipped and received throughout the day... Other than that I played on the internet and discovered many shocking things, such as:
1) Peter Lamborn Wilson and Hakim Bey are in fact the same person;
2) My friend Camille recently spent $200 on a suit; and
3) The Water Wars have already begun.
I wore one of my dad's button-down shirts to the job, and all day long I felt like a tranny passing as a boy. In fact it made me want to paint all my nails blue and wear dark red lipstick on the subway. If you think this is weird, I can't explain it any better than that. Just call me monster.
Of course, on the internet I also read about Black Panther POWs who have been locked in solitary confinement in Louisiana for over 30 years, and about my beautiful country's immanent war with Iraq, but I just can't bear to make links to those things. Instead I will leave you with a little bit of good news. It might be small but it sure is righteous.
[Communique: 08.16.02]
Hope Weissman passed away last month at the age of 58. I have known this for twenty-two days. I keep remembering and forgetting. It is unbearable to me that we did not become the friends we wanted to become. We loved something the same, and I remember learning what it was.
A conversation with Hope Weissman:
Hope: But what is it that you love about all this technology? It it really about speed? Or power?
Ben: It's beautiful. It's about beauty.
What do you mean by beautiful?
I don't know. I just find it unspeakably beautiful.
Beautiful... Harmonious?
No! Not at all.
I didn't think so. What then?
Well... High contrast. Bright colors. That kind of intensity.
I thought so. Did you know... That's why I went into medieval studies, in the beginning. It was the stained-glass windows.
- Hope Weissman
[Communique: 08.15.02]
There is a desert. Again, it wouldn't make any sense
to say that I am in the desert. It's a panoramic vision of
the desert, and it's not a tragic or uninhabited desert.
It's only a desert because of its ocher color and its
blazing, shadowless sun. There is a teeming crowd in it...
Deleuze & Guattari, A THOUSAND PLATEAUS
I am working on The Desert. The words come. I do not know if they are the right ones. I am trying to write an Oliveira painting. I am trying to show my mother what I mean by fantasy.
The silver city beckons. It writes me love letters. I am carrying the fried chicken we didn't eat in Chicago, the taste of salt on the Pacific, the sweet grass they gave us at the Blackfeet museum... Did they see our guilt? We were trying so hard not to be White... I am carrying the tears dripped from mountain glaciers, the purple flowers at dawn, the nuzzling bison, the flame cloud in the north, and the knife that I lost. I am carrying red Arizona clay in a Ziploc bag. I am carrying exhaustion and rest, friends and family, beef jerky and avocadoes. I am carrying some responsibility like a pack on my shoulders, and trying to make a balance of it. I am trying to forgive myself without getting lazy.
The wheels outside are turning. Rainforests wither. My country is going to invade Iraq. Many thousands will suffer and die. There is little that I can do, yet I must do something. To write a book -- it is such a small thing, by those standards. But in one life, it is large. If I could forgive myself for not saving the world, and allow myself to do just this one thing, and then the next, and then the next...
A little blue boy opens his mouth and shows me the universe. A man sacrifices himself to redeem the world. A mother refuses to sacrifice her son. A spider plays a joke on the world. A rabbit plays a joke on a wolf. A god pees in the sky and turns it yellow. A woman arrives in a desert.
Of these, only the last one is mine. But it is mine.
[Communique: 08.13.02]
It's good to be home.
The route taken: BOSTON to PITTSBURGH to CINCINNATI to CHICAGO to BADLANDS to YELLOWSTONE to BOZEMAN to MISSOULA to BROWNING to GLACIER to SPOKANE to SEATTLE to MOCLIPS to PORTLAND to EUGENE to SHASTA to SAN FRANCISCO to SANTA BARBARA to LOS ANGELES to GRAND CANYON to ASPEN to SANTA FE to AUSTIN to NEW ORLEANS to LOUIEVILLE to NEW YORK CITY to BOSTON. Details will come later.
My mom brought me today to see the work of Nathan Oliveira at SUNY Purchase today. He had a deep and abiding influence on her artistic style, which in turn has had a deep and abiding influence on mine. This makes him something like my artistic grandfather.
I'm going to spend the next few weeks in Cambridge trying to earn some money and (re)write a short novel called The Desert. In September I will move to NYC and hopefully live at Flux Factory in Queens.
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